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【单选题】
The use of deferential(敬重的) language is symbolic of the Confucian ideal of the woman, which dominates conservative gender norms in Japan. This ideal presents a woman who withdraws quietly to the background, subordinating her life and needs to those of her family and its male head. She is a dutiful daughter, wife, and mother, master of the domestic arts. The typical refined Japanese woman excels in modesty and delicacy: she 'treads softly(谨言慎行) in the world,' elevating feminine beauty and grace to an art form. Nowadays, it is commonly observed that young women are not conforming to the feminine linguistic (语言的) ideal. They are using fewer of the very deferential 'women's' forms, and even using the few strong forms that are known as 'men's'. This, of course, attracts considerable attention and has led to an outcry in the Japanese media against the defeminization of women's language. Indeed, we didn't hear a bout 'mer’s language' until people began to respond to girls' appropriation of forms normally reserved for boys and men. There is considerable sentiment about the 'corruption' of women's language—which of course is viewed as part of the loss of feminine ideals and morality and this sentiment is crystallized by nationwide opinion polls that are regularly carried out by the media. Yoshiko Matsuinoto has argued that young women probably never used as many of the highly deferential forms as older women. This highly polite style. is no doubt something that young women have been expected to 'grow into' after all, it is a sign not simply of femininity, but of maturity and refinement, and its use could be taken to indicate a change in the nature of one's social relations as well. One might well imagine little girls using exceedingly polite forms when playing house or imitating older women in a fashion analogous to little girls' use of a high-pitched voice to do 'teacher talk' or 'mother talk' in role play. The fact that young Japanese women are using less deferential language is a sure sign of change of social change and of linguistic change. But it is most certainly not a sign of the 'mascnlinization' of girls. In some instances, it may be a sign that girls are making the same claim to authority as boys and men, but that is very different from saying that they are trying to be' masculine. 'Katsue Reynolds has argued that girls nowadays are using more assertive language strategies in order to be able to compete with boys in schools and out. Social change also brings not simply different positions for women and girls, but different relations to life stages, and adolescent girls are participating in new subcultural forms. Thus what may to an older speaker, seem like 'masculine' speech may seem to an adolescent like 'liberated' or 'hip' speech. The first paragraph describes in detail _____.
A.
the standards set for contemporary Japanese women
B.
the Confucian influence on gender norms in Japan
C.
the stereotyped role of women in Japanese families
D.
the norms for traditional Japanese women to follow
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举一反三
【单选题】情志抑郁与下列哪项关系密切
A.
脾失健运
B.
肺气虚弱
C.
肾精不足
D.
肝失疏泄
【判断题】白细胞有“血型”
A.
正确
B.
错误
【单选题】What did the old man say?
A.
I feel really bad.
B.
I feel good.
C.
I feel healthy.
【单选题】白细胞有血型吗:
A.
B.
没有
【单选题】白细胞表达的特有血型抗原是
A.
ABO血型抗原
B.
Rh血型抗原
C.
人类白细胞抗原
D.
中性粒细胞特异性抗原
E.
P血型抗原
【简答题】阅读理解 I found the imagination of becoming a grandmother somewhat discouraging. I was younger than I thought a grandmother should be when I got the news that I was going to become one myself. I admit, i...
【单选题】一 How do you feel if you have the flu? 一 _____ [     ]
A.
I feel sad.
B.
I feel excited.
【单选题】情志抑郁与下列哪项关系密切
A.
心神失常
B.
肺气虚弱
C.
肝失疏泄
D.
肾精不足
E.
脾失健运
【单选题】Why does the author feel somewhat guilty?
A.
He realizes there is a great divide between his life and that of blue-collar workers.
B.
He looks down upon the mechanical work at the assembly line.
C.
He has not done much to help his co-workers at the factory.
D.
He has stayed at school just for the purpose of escaping from the real world.
【单选题】【C14】
A.
I feel the worse
B.
I feel worse
C.
the more worse I feel
D.
the worse I feel
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