All the same, if there be not the intention, there is at least the accident, of style, which, if one looks at it at a friendly way, appears to proceed 【M1】 ______. to three sources. One of these is simply the 【M2】 ______. general greatness, and the manner of in which 【M3】 ______. that makes a difference for the better in any particular spot, so that though you may often perceive yourself to be in a shabby corner it never occurs for you that this is the end of it. 【M4】 ______. Another is the atmosphere, with its magnificent mystifications, which flatters and superfuses, makes everything brown, rich, dim, vague, magnifies distances or minimizes details, 【M5】 ______. confirms the inference of vastness by suggesting that, as the great city makes everything it makes its own system of weather and its own optical laws. The last is the congregation of the parks, which constitutes 【M6】 ______. an ornament not elsewhere to be matched and give the place a superiority that all of its 【M7】 ______. uglinesses overcome. They spread themselves with such a luxury of space in the centre of the town what they form. a part of the impression of any 【M8】 ______. walk, of almost any view, and, with an audacity altogether their own, make a pastoral landscape under the smoky sky. There is no mood of the rich London climate that is not becoming to them--I have seen them look delightfully romantic, like parks in novels, in the wettest winter—and there is scarcely a mood of the appreciative residents to that 【M9】 ______. they have not something to say it. 【M10】 ______. 【M1】