Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between 'being a writer' and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at a typewriter. 'You've got to want to write,' I say to them, 'not want to be a writer.' The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune there are thousands more whose longing is never rewarded. When I left a 20-year career in the U. S. Coast Guard to become a freelance writer, I had no prospects at all. What I did have was a friend who found me my room in a New York apartment building. It didn't even matter that it was cold and had no bathroom. I immediately bought a used manual typewriter and felt like a genuine writer. After a year or so, however, I still hadn't gotten a break and began to doubt myself. It was so hard to sell a story that barely made enough to eat. But I knew I wanted to write. I had dreamed about it for years. I wasn't going to be one of those people who die wondering 'What if?' I would keep putting my dream to the test--even though it meant living with uncertainty and fear of failure. This is the Shadowland of hope, and any one with a dream must learn to live there. The passage is meant to ______.
A.
warn young people of the hardships that a successful writer has to experience
B.
advise young people to give up their idea of becoming a professional writer
C.
show young people it's unrealistic for a writer to pursue wealth and fame
D.
encourage young people to pursue a writing career