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阅读理解。 Mark, a young person, tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between 'being a writer' and writing. In most cases these people are dreaming of wealth and fame, not the long hours alone at a typewriter. 'You've got to want to write,' I say to them, 'not want to be a writer.' The truth is that writing is a lonely, private and poor-paying affair. For every writer kissed by good luck there are thousands more whose longing is never rewarded (报答). When I left a 20-year job in the U. S. Coast Guard to become a writer, I had no hopes at all. What I did have was a friend who found me my room in a New York apartment building. It didn't even matter that it was cold and had no bathroom. I immediately bought a used typewriter and felt like a real writer. After a year or so, however, I still hadn't got a break and began to doubt myself. It was so hard to sell a story that hardly made enough to eat. But I knew I wanted to write. I had dreamed about it for years. I wasn't going to be one of those people who die wondering 'what if'. I would keep putting my dream to the test-even though it meant living with uncertainty and fear of failure. This is the shadow land of hope, and anyone with a dream must learn to live there. 1. The passage is meant to _____. [     ] A. warn young people of the hardship that a successful writer has to experience B. advise young people to give up their idea of becoming a professional writer C. show young people it's unrealistic (不现实的) for writers to seek wealth and fame D. encourage young people to hunt for good jobs 2. What can be concluded from the passage? [     ] A. Real writers often find their work interesting and rewarding. B. A writer's success depends on luck rather than on effort. C. Famous writers usually live in poverty. D. The chances for a writer to become successful are small 3. Why did the author begin to doubt himself after the first year of his writing work? [     ] A. Real writers often find their work interesting and rewarding. B. A writer's success depends on luck rather than on effort. C. Famous writers usually live in poverty. D. The chances for a writer to become successful are small 4. 'Shadow land' in the last sentence refers to _____. [     ] A. the wonderland one often dreams about B. the bright future that one is looking forward to C. a world that exists only in one's imagination D. the state (状态) of uncertainty before one's final goal is reached
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【单选题】515中国服装设计师李艳萍设计的女服饰以典雅、高贵享誉中外,在国际市场上,一件“李艳萍”牌中式旗袍售价高达一千美元,这种定价策略属于()
A.
声望定价法
B.
招来定价
C.
基点定价
D.
需求导向定价
【单选题】下列选项中,属于定中短语的是
A.
十分想念
B.
火红的青春
C.
写字
D.
老师学生
【单选题】制作 PPT中,必须遵守的四个原则中,不包括以下?
A.
亲密
B.
对齐
C.
对比
D.
对称
【多选题】下列短语属于定中短语的有()。
A.
发言提纲
B.
这个东西
C.
一脸笑
D.
体制改革问题
【单选题】对齐原则中不包括?
A.
边界对齐
B.
模块对齐
C.
大小对齐
D.
等距分布
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A.
声望定价
B.
招来定价
C.
基点定价
D.
需求导向定价
【单选题】中国服装设计师李艳萍设计的女服装以典雅、高贵享誉中外,在国际市场上,一件“李艳萍”牌中式旗袍售价高达1千美元,这种定价策略属于()
A.
声望定价
B.
招来定价
C.
基点定价
D.
.需求导向定价
【单选题】515,中国服装设计师李艳萍设计的女服饰以典雅、高贵享誉中外,在国际市场上,一件“李艳萍”牌中式旗袍售价高达1千美元,这种定价策略属于()
A.
A,声望定价
B.
B,招来定价
C.
C,基点定价
D.
,需求导向定价
【多选题】下列短语中属于定中短语的是()。
A.
非常时期
B.
敌人的狡猾
C.
一枝钢笔
D.
才星期一
E.
春天的到来
【单选题】程序模块设计的原则不包括( )。
A.
规模适中
B.
单入口、单出口
C.
接口简单
D.
功能齐全
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